I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
I first read The Wind Up Bird Chronicle at my first writing residency and it inspired me to keep writing stories that slip between worlds.
In Murakami’s story the protagonist searches for his missing cat after his wife disappears which leads him into a dark well where he slips into another world. Along the way he encounters a water diviner Malta Kano and a 14-year-old girl who surveys bald men for a living.
The story is woven with the recollection of Mr. Honda, a Japanese war veteran of atrocities in Manchuria. The otherworldliness of the worlds he encounters is described in everyday ordinary prose, in Murakami’s worlds these things are normal. It’s what I aspire to.
Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.
This story is about Benny a teenager who can hear objects speaking and his mother, who is a compulsive hoarder.
Benny finds a group of people in a hidden wing of the local library which introduces him to a new world where he is accepted. He meets Aleph a drug user who leaves lines of poetry on paper in the books of the library and Slavoj a homeless drunk man who spouts much philosophy from his wheelchair. Ozeki makes the reality fantastic, the work is grounded in ordinary details.
The book is a beautiful portrait of a mix of characters you ordinarily would ignore and makes magic of the everyday. It's this everyday magic that I also wish to capture in my own fiction.
"No one writes like Ruth Ozeki-a triumph." -Matt Haig, New York Times bestselling author of The Midnight Library
"Inventive, vivid, and propelled by a sense of wonder." -TIME
"If you've lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home." -David Mitchell, Booker Prize-finalist author of Cloud Atlas
Longlisted for the Women's Prize for Fiction
A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both-the brilliantly inventive new novel…
Anguli Ma was a murderer from a Buddhist parable who collected his victims' fingers in a necklace.
The parable goes that he met the Buddha who converted him by emitting calm and mindfulness. Vu’s book transplants this fable into the eighties in the western suburbs of Melbourne, Anguli Ma being a war refugee from the Vietnam/American war. He joins a shared household of other refugees and encounters a monk meditating in a park. The monk brings another world of mindfulness to Anguli Ma.
I like this book because of the clever adaptation of the parable and the Buddhist themes throughout- any one of the refugees could resort to violence like Anguli Ma or find peace through mindfulness—they all suffer from war trauma. It’s also beautifully written with the other world of mindfulness poetry in motion.
Anguli Ma is the central figure in a traditional Buddhist folktale, a deranged killer who wears his victims’ fingers in a garland around his neck. Chi Vu presents him as a menacing abattoir worker who carries bloody chunks of meat home to his lodgings in plastic bags, in this suburban Gothic tale set in 1980s Melbourne, when the flight of Vietnamese refugees to Australia was at its height.
The gathering fear, the prevailing darkness, the strange contours of the house which has been divided and sub-divided to accommodate its female occupants, the macabre humour and surreal effects, mark Chi Vu’s…
This amazing book is about Oblivia a girl who survives gang rape living in a swamp with thousands of black swans who is promised to Warren Finch the Deputy Prime Minister of Australia an indigenous man.
In her journey we meet many out there characters told in mythic style in a future Australia devastated by climate change. This book is a potent mix of speculative fiction and magic realism featuring indigenous communities and characters. I admire it for the breadth of its vision and the intimacy of Oblivia and of course the swans.
A hypnotic and “astonishingly inventive” (O, The Oprah Magazine) novel about an Aboriginal girl living in a future world turned upside down—where ancient myths exist side-by-side with present-day realities.
Oblivia Ethelyne was given her name by an old woman who found her deep in the bowels of a gum tree, tattered and fragile, the victim of a brutal assault by wayward local youths. These are the years leading up to Australia’s third centenary, and the woman who finds her, Bella Donna of the Champions, is a refugee from climate change wars that devastated her country in the northern hemisphere.
The Crystal Messenger is a delicate melancholy tale about a girl who observes from her window the comings and goings of her family and the community around her.
Her sister is the local beauty who is wooed by many but cannot find the poet that she truly loves and she is courted by a dwarf who is a member of the communist party. The prose of this novella is like candy floss, it can melt on your tongue and I aspire to use language this way.
This award winning book has been described as the 'renaissance of Vietnamese literature'. Written by a young woman in her twenties at the end of an era when Vietnam closed itself off from the world, it is widely regarded as one of the most important works of fiction ever to come out of that country. Ostensibly, The Crystal Messenger is a magical and moving story of two sisters' journeys to emotional and sexual maturity. But it is also a powerful allegory about the fate of North and South Vietnam, the struggle with reunification after the war, and the effect of…
When the dead begin speaking to 16-year-old Kim Nguyen her peaceful childhood is over. Suddenly everyone wants to exploit her new talent—her family, the Vietnamese government, and even the spirits themselves.
The Other Shore is a delicate meditation on the nature of ghosts, belief, and how the future is shaped by the past.
This book (and its sequels) are about overcoming the odds; about learning to improve the skills and abilities you have, rather than dwelling on what you can't do. Conflict, plague, and scheming politicians are all featured along the way–but none of the characters are human!
When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.
Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.
A vision that Dru will one day defeat the Koth is enough to keep…
